[E497.Ebook] Download Ebook Henri Matisse: Drawing with Scissors (Smart About Art), by Jane O'Connor

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Henri Matisse: Drawing with Scissors (Smart About Art), by Jane O'Connor

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Keesia and Henri Matisse have the same birthday—New Year’s Eve! That’s why she picks him for her artist report. She finds out that over his long career Matisse made paintings, sculpture, books, costumes, and her favorite—his cut-outs, or what Matisse called “drawing with scissors.” The report is filled with about 20 of Matisse’s masterpieces as well as artwork that Keesia has created in his “style” (cut-out leaves, drawings through windows, fauvist animals). As she follows Matisse through his life she discovers why he is considered one of the greatest artists of the twentieth century.

• Sales Rank: #31460 in Books
• Brand: Grosset & Dunlap
• Model: 923767
• Published on: 2002-03-18
• Released on: 2002-03-18
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .14" w x 7.06" l, .21 pounds
• Binding: Paperback
• 32 pages

From Publishers Weekly
The Smart About Art series continues with Henri Matisse: Drawing with Scissors by Jane O'Connor, illus. by Jessie Hartland. Presented and organized in the style of a grade-school report (and written from the perspective of the fictitious "Keesie Johnson"), the latest installment covers the Fauve movement and Matisse's shift from painting to cut-paper collage.
Copyright 2002 Cahners Business Information, Inc.

From School Library Journal
Grade 1-3-A creative way to instill an appreciation of art in children. The text begins with a "hand-printed" letter on lined paper from the teacher, Ms. Brandt, posing three questions to her students for their reports about a famous artist. The rest of the book is related as Keesia Johnson's report. Hartland's color illustrations are captioned with dialogue or other text; examples of Matisse's art are dispersed throughout; and there are photos of the artist and his mother; of the child who "wrote" the report and her sister; of Matisse in his 70s, making paper cutouts; and of stained-glass windows in a church that he designed. A brief biographical sketch is included, and children are also told about Matisse's changes in style, use of bright colors, and skill in various mediums. The last page contains the teacher's "hand-printed" note to Keesia after reading her work. This book could be used in conjunction with Mike Venezia's Henri Matisse (Children's, 1997), Nelly Munthe's Meet Matisse (Little, Brown, 1983; o.p.), and Ernest Lloyd Raboff's Henri Matisse (Lippincott, 1988; o.p.) to introduce the life and works of this renowned French artist.
Augusta R. Malvagno, Queens Borough Public Library, NY
Copyright 2002 Reed Business Information, Inc.

About the Author
Jane O'Connor lives in New York City.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Angel Nahon
I loved the book but would definitely recommend it for older children, grades 4 and up!

0 of 0 people found the following review helpful.
super!
By Amazon Customer
Exactly what was listed

16 of 18 people found the following review helpful.
Excellent concept, well executed
By Blue
An amusing introduction to the artist Matisse that I highly recommend. Written as though it's an 8-yr-old's school report, it is accessible and very informative. It includes reproductions of Matisse art and biographical information. Loved it. And it was useful as a teaching tool.

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[F177.Ebook] Download PDF What the New Testament Authors Really Cared About: A Survey of Their WritingsFrom Kregel Academic

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Second edition of the accessible, full-color New Testament survey focusing on the message of each book

Now in hardcover, this second edition of What the New Testament Authors Really Cared About has a new cover and layout to correspond with the look of the popular companion volume, What the Old Testament Authors Really Cared About. This textbook is more accessible than many New Testament survey texts, with full color and photographs and to-the-point coverage of each New Testament book. Introductory issues (Who? When? Where? Why?) are condensed to a one-page snapshot of all the most pertinent information. In addition, more than one hundred applications are highlighted in sidebars to clarify how the New Testament authors might apply their writings to Christians living in the twenty-first century.

• Sales Rank: #203838 in Books
• Published on: 2015-09-01
• Original language: English
• Number of items: 1
• Dimensions: 9.40" h x 1.00" w x 7.40" l, .0 pounds
• Binding: Hardcover
• 304 pages

About the Author
Kenneth Berding (PhD, Westminster Theological Seminary) is professor of New Testament at Talbot School of Theology in La Mirada, California. His other publications include What Are Spiritual Gifts?

Matt Williams (PhD, Trinity International University) is professor of biblical and theological studies at Talbot School of Theology in La Mirada, California. His other publications include Two Gospels from One.

Most helpful customer reviews

1 of 1 people found the following review helpful.
An excellent introductory book to the New Testament
By Ruben de Rus
There are many introductory books to the New Testament in the market and many more are being published and reedited. That is the case of the book What the New Testament Authors Really Cared About: A Survey of Their Writings (2nd ed).

This book could be catalogued as an introduction to the New Testament because that is the purpose of this book. The book is structured and divided by biblical authors and the books they wrote. Its main focus is to provide readers with a better understanding of what was the main purpose of every New Testament writer to write the book or letter they wrote.

Every chapter opens by answering the questions Who? When? Where? and Why? These are the basic questions that every Bible student should seek to answer in order to be able to understand the basic of every book. Then the authors include carefully crafted verses from the book under study. The authors do not engage in theological, exegetical discussions, or textual issues. Instead they provide an overview of the context of each book and the author’s main purpose.

The book includes an introductory chapter entitled “Walking in the Sands of a First-Century Jew.” This chapter summarizes the Assyrian and the Babylonian exiles, the Persian and Greek periods, and how these events affected the nation of Israel. It also covers the transition from intertestamental time to the Roman Empire as the New Testament authors knew it. The chapter provides a solid base for the study of the following chapters.

A noteworthy characteristic from this book is the maps, charts, graphics, tables, and pictures it includes. That is a very helpful aid for students who are in the process of getting familiar to the New Testament and its times and custom. The hardcover and format make this book resistant to manipulation without the inconvenient of heaviness.

In summary, its structure and content make this book an excellent resource for seminary students, pastors, Bible students, and Christians in general. If you are planning to teach introduction to the New Testament in your church or to a group of students who have never study the New Testament before, this could be one of the most helpful books you can use for that purpose. Highly recommended.

In encourage every Christian from the English speaking world to buy this book.

I received this book free from the publisher. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255.

From https://ayudaministerial.wordpress.com/

0 of 0 people found the following review helpful.
What the New Testament Authors Really Cared About
By Peter Butler Jr.
What the New Testament Authors Really Cared About: a Survey of Their Writings, edited by Kenneth Berding & Matt Williams could well be used as a textbook in high school, college, or seminary to introduce the books of the New Testament and to give an overview about the most important aspects of the book form the point of view of the author. The book is very readable, but not dumbed down.

The editors have arranged their textbook by author of the New Testament, and each overview begins with answers to who, when, where, and why for each book. Then they look at the major themes presented, supplemented with a good number of charts. Maps, and on location pictures.

Through the text, there are side bubbles where the editors tell the read how each author would want us to respond to various texts. Each chapter ends with a brief summary, key words and concepts for review, and a list of further resources.

The book is sturdy and very useful – it could also be used by ministers to give them an overview/background to the book they are preaching from.

The editors work hard not to espouse a particular denomination, and they present variant vies and questions about certain texts, such as the ending of Mark (70).

I was pleased to see that – with the exception of Revelation – the editors dated the books prior to 70 AD (though I would also argue that Revelation was written earlier).

I was disappointed in the editors’ discussion about the rapture for two reasons: some scholars argue there is no such thing to be found in the Bible, and I agree with them (256).

That aside, this is a very useful first book on the New Testament canon (there is also an Old Testament companion volume).

#WhattheNewTestamentAuthorsReallyCaredAbout

[This review appears on my blog and Amazon.com. I received this book free in exchange for an honest review.]

0 of 0 people found the following review helpful.
Very nice intermediate NT survey
By Jeff
When I had the opportunity to review this book, I took it without deliberating because I reviewed its predecessor, What the Old Testament Authors Really Cared About, which I was very impressed with, and find very helpful as a reference tool.

The artwork is on the hardcover, which I really like, instead of a dust jacket. The paper and everything else about it is very high quality. Color is used throughout making it pleasing to look at, and the table of contents has a list almost four pages long of maps, photographs, and tables, to give you an idea of how illustrative it is. As with most things “illustrated”, there are many photographs that are fillers–they could probably have been taken anywhere. I may have been more judicious and not have to have photos everywhere just because. On the other hand, it would be hard to find completely relevant photographs to find for every space that an image would occupy.

It’s a New Testament introduction (or survey) of sorts, but written by those who teach undergraduates as opposed to those in seminary or graduate courses. The audience is for the less scholarly inclined and more for the regular person who would like to get a good overview of each book of the New Testament, and specifically what each inspired author was conveying to their original audience. There are also “more than one hundred applications highlighted in sidebars to clarify how the New Testament authors might apply their writings to Christians living in the twenty-first century.”

I found some of it to be somewhat of a summary of the Biblical book, which is rather simple, but the majority is on what each author emphasizes and is conveying to his audience.

The book is generally theologically neutral, but is bent towards the Calvinist end. This may be more apparent in some of the usual areas.

The first chapter, Walking in the Sandals of a First-Century Jew, is extremely helpful. This provides a backdrop of where the authors are coming from and who some of their original audience is.

There is no introduction to the gospels, which I at first found puzzling. I then realized that the book is focused on each author. However, What the Old Testament Authors Really Cared About has a very helpful introduction to the minor prophets. I think one for at least the Synoptic Gospels would have been helpful to show the differences even more than the similarities. There is an introduction to Paul’s writings which is very informative.

For those who would like something other than the mammoth New Testament introductions, like deSilva’s–which I have–and is literally the biggest (tallest) book I have, but something more comprehensive than what a study Bible would have in their introductions to each book, this is a good fit. I’m very glad to have it as a reference book.

I received this book free from Kregel Academics for the purpose of reviewing it. I was not required to write a positive review. The opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255

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[A821.Ebook] Get Free Ebook Mastering Bookkeeping, 10th Edition, by Peter Marshall

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The 10th edition also includes significant enhancements to reflect the teachings of the principle bookkeeping institutes as they endeavor to raise the professional competence of their members. For example, accounting staff are increasingly being required to extend their record keeping into management accounts areas. The new edition includes chapters on stock control and budgetary control accounting. In addition, it will include more detailed guidance on the significance and importance of ratio analysis and statements of sources and application of funds.

• Published on: 2017-06-06
• Released on: 2017-06-06
• Original language: English
• Dimensions: 9.21" h x 1.57" w x 6.10" l,
• Binding: Paperback
• 320 pages

Review
...a useful approach to the teaching and learning of book-keeping skills...[and] a valuable reference source for revision.―Teeline

This book has been planned to cover the requirements of all the major examining boards' syllabuses and achieves all it sets out to do.
―Focus on Business Education

...presented in a clear and logical manner - written in plain English.―Learning Resources News

About the Author
DR PETER MARSHALL BA BSc (Econ) PhD is a professional educator in Business Studies. He is also a prolific writer whose books have been translated and sold worldwide.

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[B521.Ebook] Download Ebook India Series: Hampi (India (Antique Collectors Club)), by George Michell

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Hampi explores one of the most beautiful and evocative of all historical sites in south India.

• Sales Rank: #3544869 in Books
• Published on: 2006-08-02
• Original language: English
• Number of items: 1
• Dimensions: 7.80" h x .41" w x 7.26" l, .0 pounds
• Binding: Paperback
• 152 pages

Review
[A] well-researched and excellently photographed introduction to Hampi; has excellent archival photographs and ancient travellers' accounts -- Outlook Traveller, March, 2004

About the Author
George Michell trained as an architect in Melbourne, and then obtained a PhD in Indian Archaeology at the School of Oriental and African Studies, University of London, with a dissertation on Early Chalukya temples. Since then he has undertaken numerous documentation and research projects, most recently with John M. Fritz at Hampi. Surendra Kumar studied information technology in Bengaluru, and now works part-time as a photographer, specializing in panoramic topographic views. His work has been spectacularly showcased in Discovering the Deccan (Pictor, Mumbai)

Excerpt. © Reprinted by permission. All rights reserved.
From Chapter 1: Commonly known as Hampi, the site of the imperial city of Vijayanagara is located on the Tungabhadra river in central Karnataka, near the border with Andhra Pradesh. Vijayanagara's fame derives from its role as capital of South India's largest, wealthiest and most powerful kingdom; hence its name, 'City of Victory'. Yet Hampi is not only of interest for its historical prestige and magnificent ruins; its remarkable landscape, religious associations and ongoing archaeological investigations make it an outstanding destination of international significance.

ARCHITECTURE & ART

As the seat of imperial power, Vijayanagara was also a place of outstanding importance for architecture and the arts. The kings and their families, as well as their commanders and officers, not only erected buildings that bore their names, but also commissioned works of art, though none of these have survived the destruction of 1565. Since religious architecture was built of solid granite blocks laid without any mortar, it has survived to give a picture of the development of temple styles over a period of more than 200 years. The earliest Vijayanagara temples are the 14th-century shrines on Hemakuta hill. These elegant structures are built in a typical local idiom, comprising entrance porches with balcony seating, halls or mandapas with simple columns and double brackets, and shrines topped with pyramidal towers, all executed in granite. Temple architecture in the 15th century was expanded and elaborated, partly under the influence of the Tamil country incorporated into the Vijayanagara empire. The Hazara Rama temple in the middle of the royal centre is the finest example of this Tamil inspired idiom, as is evident from the finely worked decoration of its basement mouldings and plastered walls. The brick and plaster tower over the sanctuary that rises in a succession of diminishing storeys also follows the Tamil tradition. The sanctuary is approached through a spacious mandapa with entrance porches on three sides.

The climax of temple architecture at Vijayanagara occurred under the Tuluvas, beginning with Krishnadevaraya who added a magnificent mandapa to the Virupaksha temple complex at Hampi on the occasion of his coronation. He also built a multi-storeyed towered gateway, or gopura (replaced in later times), to serve as a monumental entrance to the newly renovated temple. Ultimately of Tamil origin, such spacious mandapas and lofty gopuras became hallmarks of the mature Vijayanagara style, to be repeated in all the later monuments of any magnitude at the capital, and reaching its artistic high point in the Vitthala temple complex. Like the other major complexes, the Vitthala is laid out in a linear sequence of manadapas leading to the shrine of the divinity surrounded by a narrow unlit passageway. Associated goddesses and related deities are accommodated in smaller shrines standing freely within the walled compound of the temple.

These architectural developments were accompanied by vibrant sculptural tradition, best seen in the mythological figures and narratives and the accessory maidens and guardians carved in relief onto granite columns, walls and ceilings. Highlights of Vijayanagara's sculptures include the reliefs on the Hazara Rama temple, where two entire cycles of Ramayana episodes are portrayed in stone, each episode of the story forming the subject of a separate composition. The royal reliefs on the outer compound walls of the same monument, portraying animals, soldiers and courtly women, are unique in South Indian art, as are the similarly royal subjects covering the granite sides of the nearby Mahanavami platform. Sculpture at Vijayanagara is also found on boulders scattered all over the site, either as relief compositions, such as Ramayana scenes or figures of Virabhadra and Hanuman as Anjaneya, or as gigantic three-dimensional monoliths of Ganesha or Narasimha. The technical virtuosity in the handling of the granite medium on this monumental scale is typical of Vijayanagara art.

Plaster sculptures also adorned the city's temples, as can be seen on sanctuary towers and gopuras where gods and goddesses are often flanked by courtly devotees. Similar plaster figures adorned the royal residences, but these are too fragmentary to be identified. Bronze icons must have been installed in temple sanctuaries, but not one example of the period survives at the site. (The brass images currently worshipped in the Virupaksha temple complex at Hampi are modern creations.)

Only the faintest indications of the Vijayanagara period painting are seen in the temples, and no details can be made out, though surely they would have portrayed mythological topics. (The well-preserved paintings on the ceiling of Krishnadevaraya's mandapa in the Virupaksha temple date only from the 19th-century renovation.) Murals may also have graced the halls of the royal palaces, but these have completely vanished, together with the dyed and printed cottons, woven velvets and embroidered cloths, as well as the ivory thrones and beds, and gilded metallic thresholds, door frames and roof pinnacles.

No account of the architecture of Vijayanagara would be complete without taking note of structures within the royal centre, such as the Lotus Mahal and elephant stables, built in a distinctly Islamic manner. Inspired by contemporary architecture of the neighbouring Bahmani kingdom, these and other buildings in similar style have Islamic pointed arches, vaults and domes, and are decorated with cut plasterwork in stylized floral forms. This creative interaction with the Deccan artistic tradition should be considered as a manifestation of the cosmopolitan spirit of Vijayanagara courtly culture.

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4 of 4 people found the following review helpful.
A Medieval Empire
By Michael Gunther
The rich and powerful Hindu empire of Vijayanagara (mid-14th to mid-16th century), covering South India from coast to coast, excited the admiration of Islamic and European visitors alike: "The city... is such that the pupil of the eye has never seen a place like it, and the ear of intelligence has never been informed that there existed anything to equal it in the world" wrote Abdul Razzaq, a 15th-century envoy from Persia. Today, what is left of this once-great capital is preserved as a huge archaeological site (9 square miles in extent) that takes its name from the modern village of Hampi. Beautifully well-preserved features include temples, reviewing stands, elephant stables, bathing pavillions, aqueducts, reservoirs, giant statues of the elephant god Ganesh and the Vishnuite lion-avatar Narasimha, and the thrilling landscape of the Tungabhadra river valley with its surrounding hills, granite boulders that seem to have dropped from the sky, and legendary association with the home of Hanuman, the monkey hero of the Ramayana.
John M. Fritz and George Michell, as the directors for more than 20 years of the Vijayanagara Research Project, are ideally equipped to present this site to visitors. Beginning with 50 or so pages on the history, layout, architecture, etc. of Vijayanagara, the book continues with a 70-page tour of the site, and concludes with 30 pages of archival material (medieval visitors' reports, and selected early photographs of Alexander Greenlaw). Geared to the general reader, this illustrated guidebook is compact, inexpensive, and useful to have in hand when visiting the site.

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[G744.Ebook] Ebook The Tale-Teller, by Susan Glickman

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A great story transcends the coldest winter.
The year is 1738. Jacques Lafargue, a wide-eyed young Frenchman, arrives in New
France aboard the Saint Michel. But before his Canadian adventure has a chance to
begin, he is detained at Quebec harbour by suspicious port officials. Their distrust
proves warranted: instead of a young man named Jacques Lafargue their captive turns
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The Tale-Teller is a marvel. Susan Glickman takes readers on a journey of discovery
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continuing through an intimate and richly-detailed portrait of Canadian colonial
society, guided always by a map of wonders-to reveal timeless truths.

• Sales Rank: #4674455 in Books
• Brand: Brand: Cormorant Books
• Published on: 2012-07-28
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .55" w x 5.32" l, .0 pounds
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

Review

"Glickman's mastery and maturity are evident in The Violin Lover.
Readers will be richly rewarded by the beauty and power of her artistry."

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About the Author

Born in Baltimore, Maryland, Susan Glickman grew up in Montreal and has lived in England, Greece, Mexico, and India. She is the author of The Violin Lover (winner of the Martin and Beatrice Fischer Prize in Fiction at the 2006 Canadian Jewish Book Awards), and The Picturesque and the Sublime: A Poetics of the Canadian Landscape (1998 winner of the Gabrielle Roy Award of the Association for Canadian and Quebec Literatures for the best book of English Canadian Literary Criticism) as well as six books of poetry and three children's books. Glickman currently lives in Toronto, where she teaches creative writing at the Chang School at Ryerson University and the School of Continuing Education at the University of Toronto, and works as a freelance editor.

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1 of 1 people found the following review helpful.
Swept up in it
By Rafi M.
Somewhere around page 40, I realized I had lost contact with my surroundings. That's the best thing a book can do - take as to other places. It's a great story, a great slice of history, and a great, heart-touching tale in itself. Hated for it to end.

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When humanity first glimpsed planet Earth from space, the unity of the system that supports humankind entered the popular consciousness. The concept of the Earth's atmosphere, biosphere, oceans, soil, and rocks operating as a closely interacting system has rapidly gained ground in science. This new field, involving geographers, geologists, biologists, oceanographers, and atmospheric physicists, is known as Earth System Science.

In this Very Short Introduction, Tim Lenton considers how a world in which humans could evolve was created; how, as a species, we are now reshaping that world; and what a sustainable future for humanity within the Earth System might look like. Drawing on elements of geology, biology, chemistry, physics, and mathematics, Lenton asks whether Earth System Science can help guide us onto a sustainable course before we alter the Earth system to the point where we destroy ourselves and our current civilisation.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

• Sales Rank: #332396 in Books
• Published on: 2016-05-01
• Original language: English
• Number of items: 1
• Dimensions: 4.40" h x .70" w x 6.90" l, .0 pounds
• Binding: Paperback
• 144 pages

About the Author

Tim Lenton is a Professor at the University of Exeter, where he is also Chair in Climate Change and Earth Systems Science. His research focuses on understanding the behaviour of the Earth as a whole system, especially through the development and use of Earth system models. He worked closely with James Lovelock developing the Gaia theory and trying to reconcile it with evolutionary theory. His work identifying climate tipping points won the Times Higher Education Award for Research Projects of the Year 2008. His books include Revolutions that Made the Earth (OUP, 2013), which he co-authored with Andrew Watson.

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1 of 1 people found the following review helpful.
Tim Lenton is as at least as good at science writing as he is at his science
By Erle Ellis
Anyone interested in Earth Systems (and we all should be these days) should read this- even experts could learn a thing or two: Tim Lenton is as at least as good at science writing as he is at his science.

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[H877.Ebook] Free PDF All Four Engines Have Failed: The True and Triumphant Story of Flight BA 009...., by Betty Tootell

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• Published on: 1985
• Binding: Hardcover

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